Tom And Jerry Collection Full Movie Online#

Tom And Jerry Collection Full Movie Online

Tom And Jerry Tales Season 2. The Chuck Jones-era Tom and Jerry shorts were released in a two-disc set titled 'Tom and Jerry: The Chuck Jones Collection' on June 23, 2009.Watch Saludos Amigos (1942) full movie online. On June 2, 2015, Tom and Jerry: The Gene Deitch Collection DVD was released in the United States, with all thirteen shorts as well as special features.

001 Puss Gets the Boot 1940.avi. Make sure to say thanks and please seed as I won't be able to seed long due to internet limitations.Tom & Jerry Season 1 - Google Drive. This is the BEST DVD-Rip Quality on the internet and it can't get better because I ripped and encoded them myself from the original DVDs. To feature restored cartoons and include a bonus documentary.Tom and Jerry Complete Classic Collection of all 161 episodes made The episodes are neatly and nicely named with their appropriate names. Considering the sorry state of the DVD business вЂ“ at least among the major studios вЂ“ this may be the last classic theatrical cartoon collection from Warner Bros.

From the cock-eyed animation, to the voices of Allen Swift (вЂњDickie MoeвЂќ in particular). For me вЂ“ IвЂ™ll just say that there is much to enjoy in DeitchвЂ™s Tom & Jerry films. 006 Puss n' Toots 1942.avi.Gene Deitch has been candid about his work on these cartoons, as you will see on the bonus doc вЂ“ and in the exclusive piece he has written for Cartoon Reseach below. 003 The Night Before Christmas 1941.avi.

вЂ“ Jerry BeckWhen I flew to Hollywood to present our first trial Tom & Jerry film, it was in fact a weird situation as if we were speaking different languages. For that alone, it is worth having in your collection.Here in his own words, Gene Deitch recalls his feelings about Tom & Jerry and his many memories of that production year. The restorations on this DVD are surprising, as it is the first time we see them crystal clear and bursting with color.

We could have continued on if Joe Vogel had stayed in charge. It didnвЂ™t cost a nickel more if our background painter put a castle or a hovel on the Strathmore background paper!Vogel loved our effort, especially because he was proud that he had lucked onto a first rate foreign animation studio which could crank out such an elaborate T&J cartoon for half the H&B cost! So we got the job. Our career and personal lives were on the line so I put everything I had into it.Gene Deitch in 2010 sitting for an interview that is now part of this new DVD collection.When the lights came up in the other-worldly MGM executive screening theater, Head-Hocho Joe Vogel took a deep drag on his stogie, and said, вЂњYou donвЂ™t need to build such expensive sets! вЂRight away, it was clear that these 6-figure honchos didnвЂ™t have the faintest ideas how cartoon films were made. In spite of my negative feelings about the T&J cartoons, as being senselessly violent, and downright racist, I knew this was a crossroad, and though I hadnвЂ™t asked for this assignment, I was under pressure to accept it, and I became determined to make a success of it.

My original title was вЂњ Dog My CatsвЂќ. Over my bruised body, it went out with the totally idiotic title, SwitchinвЂ™ Kitten. Whereas I had scrupulously attempted to follow the H&B character model sheets, Chuck didnвЂ™t bother to, but made them his own.The one and only issue I had with Joe Vogel was the title of our pilot episode. The new executive leadership chickened out on a communist country issue, so the great Chuck Jones took over. ThatвЂ™s how Hollywood worked, and still worksThe fact that I was the very first director chosen to continue T&J, following the great successes of Hanna Barbera, and my episodes got loud laughs in the theaters, it didnвЂ™t cut any ice.

My own negative T&J feelings at the time. I had every possible disadvantage in producing these shorts 1. I was the first animator to continue the series, and obviously I was in the line of fire. Click to enlarge.I am painfully aware that my Tom & Jerry cartoons were savaged by most of the critics and hardcore H&B fans. Besides being a play on words, it was actually about the story! But the mighty Metro moguls simply didnвЂ™t get it.An MGM trade paper advertisement announcing the Gene Deitch Tom & Jerry series.

I resolved to make them look as much like the late period Hanna Barberra originals as I possibly could. But as gross as many of the Hannah Barberra cartoons were, the outrageous pain the Tom and Jerry characters inflicted on each other did make me laugh out loud.Being assigned to recreate Tom & Jerry, I knew that I had a tough act to follow. I did admire the skill of the Disney shorts, and I was a great fan of the brash comedy of the Warner Brothers output. With a dollar budget half the amount of the original MGM series.Not only had no one in the Prague animation studio ever even seen a Tom & Jerry cartoon, but I had never tried to draw the characters! They were out of my way of drawing.

I tried for fresh venues in the stories. I immediately retired the black housemaid. I drew the line at the H&B racial gaffs.

If they donвЂ™t look like Tom & Jerry, you can blame me! The movement was another thing. I ultimately switched them to white bond paper, and right on the Tom and Jerry series they were gradually adapting to the paper every American animation studio was using.Because of the difficulty of keeping the Czech animators on-model, I personally drew every key pose in the entire 13-film series. We in America had the opposite opinion, and this fragile paper was not worth the downside the vellum was so brittle that every sheet required peg-hole reinforcements! The inbetweens could not be hand-flipped to test the action. The Czech artists claimed that the translucency help them with the animation. You can tell by the yellowish color of the paper.

Stereo did not exist here at all in 1961! I also created all the sound effects at home, except the sounds Tod Dockstader made, and sent me on quarter-inch tape!I can only imagine how far we would have gotten, if a half-century ago MGM knew that the entire soundtracks of our Tom & Jerry sound tracks, including the symphony orchestra for Carmen Get It, were recorded on an Ampex 601-2 recorder, no bigger than a carry-on suitcase! And that all my tracks were edited and mixed in our tiny bachelor apartment in communist Prague!HereвЂ™s another sidelight that hasnвЂ™t come up before: In Buddies Thicker Than Water, the drunken giggling of both Tom and Jerry, as well as other coo-coo vocal effects throughout the series, are by me.In conclusion вЂ“ I didnвЂ™t seek the job. I recorded all the tracks in stereo. (They had only one-channel mono recording. Obviously, there was no digital recording anywhere in those days, but here is was dreadful, working with Soviet equipment! They used sprocketed 55mm East German coated sound film.What I couldnвЂ™t tell anybody at the time is that I brought my own Ampex 1/4вЂќ tape recorder into the studio, and recorded the orchestras myself, with little more than a volume control and only two microphones, all my own property! The engineers here thought I was crazy, but I got brighter results than they did. We sweat-shopped the pencil tests to the maximum money and time would allow.I often tell film students and others that I have always considered the soundtracks as at least 50% of the movies.

The sounds were created by Tod Dockstader and me. Sorry for that!Aside from being the leader and editor of the writing staff, I also directed the voice actor, Allen Swift, and the musicians, composers and sound effects. They could all have been better animated вЂ“ truer to the characters вЂ“ but our T&Js were produced in the early 1960s, near the beginning of my presence here, over a half-century ago as I write this!I actually received an unsigned death-threat from a furious Tom & Jerry fan, who wrote that I вЂњdeserved to dieвЂќ for what I did to this noble duo! I hope by now that tempers have cooled!Gene and Zdenka, 1961Zdenka NajmanovГЎ* вЂ“ project producer & managerMiluЕЎe HluchoniДЌovГЎ вЂ“ assistant background painter.Zdenka NavratГlovГЎ вЂ“ film assembling & editing, with GeneOf the 13 core personnel on the Tom & Jerry project there was a large group of superb inkers & painters вЂ“ all women вЂ“ whose names I didnвЂ™t preserve.

Tom And Jerry Full Collection